tone problem on K25C-2 [message #23165] |
Sat, 20 June 2015 21:31 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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Can anyone tell me why this 1970 K25C-2 has no treble, of very little treble? It looks in mint condition clean inside and out. It gets really loud and the Jenson 12" holds up with no distortion. I have 3 Kustom 1969 K100C-8 4x10 amps with Eminence speakers that have over the top shrilly glassy highs. But not this K25C-2..... It sounds boxxy. The bass doesn't add or take away much bass; just subtle.... The treble will only add a small amount of treble, but almost none. Pulling the bright switch out adds just a subtle amount of treble, but almost like nothing, no piercing glassy highs..,,Playing a Fender Telecaster thru this amp sounds more like a muddy Les Paul.,,..
Any ideas why I'm not getting those piercing glassy highs? Or is this the typical sound for this model amp?
Last week I tried out an early 70's Woodson, supposedly made by Kustom, and it too sounded boxxy with no piercing glassy highs...... So I'm wondering if Kustom changed the piercing glassy highs to more mellow bassy after 1969....?
I tried a different speaker, a 1969 Emenence 10"..... no improved highs.
[Updated on: Sat, 20 June 2015 21:33] Report message to a moderator
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Re: tone problem on K25C-2 [message #23167 is a reply to message #23166] |
Sun, 21 June 2015 15:35 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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How much is a fair price to recap the amp?
I unhooked the Jenson 12" and hooked up an 1969 Emenence 10" out of my K100C-8 and the amp came alive with brilliant highs and great sustain, but still too many mids(boxxy sound to me).....Is it possible for a tech to install a mid pot(in the back or under the interior somewhere) to roll off mids?
For my playing style I plug into the bottom input and run the treble maxxed with the bright switch pulled out and bass all the way down.....but even with normal settings of treble at 1 o'clock and bass at 10 o'clock, the mids are too much with a boxxy sound.,,,,Plugging into the top plugin makes the mids even worse and overall sound too thin. I know the top plugin traditionall produces a tighter thinner sound.
My objective is shimmering highs and much less mids.
thanks..,,,
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Re: tone problem on K25C-2 [message #23171 is a reply to message #23165] |
Mon, 22 June 2015 11:06 |
zedsalt
Messages: 65 Registered: March 2008
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Maybe, then, the question about how much it ought to cost to have someone replace them should be a handful of questions, like "Would the wisest thing to do be a full recap? If not, how many are we talking about in the preamp? Whichever approach you'd recommend, how long, roughly, should that take?"
I think I've read the answer to that first question a few times here, but it would be interesting to see an exception...and really interesting to see an estimation or estimations of the time required.
My skills in this field are nowhere NEAR that of the more active posters here, but I can usually pull off a repair with advice from folks like that, like you good people, and so far, I've yet to ruin anything...or even get a piece of gear to the point that when I do take it to someone who knows what he/she's doing, I get a look that says, "Oooooh, this is one time when 'try and try again' was NOT the way to go..." (I've prepared my opening statement for just such an emergency, though. It starts with, "OK, I just got this, got it REAL cheap, 'cause there's something REALLY wrong with it...")
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Re: tone problem on K25C-2 [message #23172 is a reply to message #23171] |
Mon, 22 June 2015 11:23 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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Thanks for the input.....
I just bought this amp at not a so cheap bargain which cosmetically looks mint as if it just rolled out of the factory. I have the option to return it, but I doubt I'd ever find as mint of condition(cosmetically) same amp ever again..,,,
So I am just trying to get an idea of recapping cost to make my decision. My tech here in Dallas is gone for a couple weeks. But I do prefer late 60's Kustoms over any other amps and especially over today's digital amps which I like the least. This is a 1970 amp. My listening preference is to turn the volume down and not run too much volume, so tube amps are out also as to get any good tone, they have to be cranked up too loud for my tv room. My three Kustom K100C-8 4x10 amps can be turned down low and still project clean high treble eq which is what I'm after with my Fender American Special Telecaster.
This K25C has plenty volume and great sustain, just no highs.
Thanks again. I appreciate everyone's input.
[Updated on: Mon, 22 June 2015 11:25] Report message to a moderator
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Re: tone problem on K25C-2 [message #23173 is a reply to message #23165] |
Mon, 22 June 2015 17:11 |
chicagobill
Messages: 2006 Registered: April 2003
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I have no real expertise with this model, so I can't be of help regarding the sound of this versus that of a more typical K200B. What you are experiencing may or may not be normal. Only someone that has played one enough to compare it with the other models will be of help here.
As for the cap question, looking at the schematic there are 7 electrolytic caps in the preamp section of this amp. Only 4 of them could have any effect on the tone of the audio signal. The tone controls are not the same as the K200B amps, in fact the entire preamp circuit is different from the bigger amps.
In order to replace the caps the entire pc board needs to be removed and the caps need to be located, removed and replaced. I would guess that any basic tech could perform this task in 1 hour. If all of the tantalum electrolytic caps in the preamp were replaced with high quality aluminums, I would think that the total cost for parts could not be more than $8 US dollars. And that would allow for a good markup from the wholesale price.
Here in the Chicagoland area typical bench time is $60-$90 per hour. So this job should cost somewhere in the area of $100.00. I don't know what the labor rates in your area are, but you should be able to guesstimate a cost based on these rough figures.
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Re: tone problem on K25C-2 [message #23177 is a reply to message #23176] |
Tue, 23 June 2015 00:37 |
Kustom_Bart
Messages: 601 Registered: October 2010 Location: Greenville, MichiGUN
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The K-25 is a great sounding amp. I guess I don't know what type of music you are playing, but you can put a processor in front of it and it will do anything that you want it to and sound like anything that you want it to normally they are plenty loud enough to play gigs as well in a bar. Tjey are super clean and should sound like any other Kustom.
If you take the head out of the box and send it to Michigan, Pleat and I have a guy that we use on what I can't fix myself and I think the most he has ever charged me is 35.00 However I don't ever have anything totally redone, I have the parts that are bad replaced. I try to keep them as original as possible He has been doing TV/Radio/Juke Box/CB/ and Amplifier repair for 40 years. Great guy and more reasonable than anyone I know. Depending on what the parts cost, his labor is cheap and most likely already has the schematic for it as he keeps a folder with schematics for everything that I have ever brought to him.
[Updated on: Tue, 23 June 2015 01:29] Report message to a moderator
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Re: tone problem on K25C-2 [message #23178 is a reply to message #23177] |
Tue, 23 June 2015 03:19 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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Thanks for the input Kustom_Bart
To answer what I play, and about effects into the Kustoms..,,,,.I'm not a tech, so I hope you'll overlook my terminology imperfections.
I only play clean Fender Esquire/Telecaster early 50's/60's hi eq sounds in my tv room at low enough volume to hear the tv. I have a couple Fender American Special Telecasters I outfitted with steel bridges, steel saddles, tusq nuts, wired direct from the 3 way switch to the output jack with no pots, and outfitted with Fender 50's Road Worn Tex Mex pickups measuring 6k and 7k. Using Dean Markley .08 steel strings to do a lot of bending steel guitar notes.
Respectfully, for my ear's tone preference, putting a processor or pedals in front of a Kustom defeats the purpose of why I like Kustoms. To me it loses the identifiable footprint Kustom sound. The 3 Vintage Kustom K100C-8 4x10's I have produce plenty of treble to still be heard when I turn them down low. This K25C-2 has no treble even when cranked up high. By the way, this K25C-2 may be only 12.5 watts, but it sure sounds like 25 watts cranked up.
I have a couple Line 6 digital amps and a Line 6 digital pod which I don't like. I've also owned a dozen effects pedals over the years, none of which I liked. To me pedals, digital amps and digital effects just sound too fake compared to the 50's/60's Fender amps that were cranked up loud to get their tone. Also, on the Kustoms I can turn the vibrato(tremelo) down so low you can almost not hear it, but it will give a good constant even sustain sound. When plugged into my Line 6 digital amp or when using my Line 6 digital pod into my Kustom, when the Line 6 tremelo is turned down as low as it will go, there is not a smooth even sustain sound, but rather a stop and go sound is heard. And the numerous Fender tube amps I've owned have to be cranked up too loud for my purposes to get good tone. The worst amp on the planet for bad tone that I ever owned was a Fender Cyber Twin digital amp. None of the above will matter for someone preferring distortion, pedals, and loud volume.
Here are some videos from the 60's thru the 80's of some good Fender Telecaster sounds at high volume which I'm after, but at low volume. The Kustoms are the closest I've found. You may have to copy and paste these video URL's into your address bar to play them. I can't get them to play by opening them within this website.
Eddie Joe Shaver had the exact sound I'm after
https://www.youtube.com/watch?v=tj3PG3FSgfY&feature=yout u.be
Gimpy Mayo
https://www.youtube.com/watch?v=uvRNRiA_h34&feature=yout u.be
Roy Buchannon played so loud, you'll see his amp turned around backwards from the audience
https://www.youtube.com/watch?v=swX9oq6TVAU&feature=yout u.be
Kid Ramos
https://www.youtube.com/watch?v=OUdwGD40yxo&feature=yout u.be
Roy Nichols
https://www.youtube.com/watch?v=F2wZqShfpQE&feature=yout u.be
Danny Gatton
https://www.youtube.com/watch?v=NWi7-qa8sU4&feature=yout u.be
Waylon
https://www.youtube.com/watch?v=tqCRwu2aDEs&feature=yout u.be
Don Rich using flatwounds
https://www.youtube.com/watch?v=B4hnlAfsS-o&feature=yout u.be
[Updated on: Tue, 23 June 2015 03:36] Report message to a moderator
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Re: tone problem on K25C-2 [message #23179 is a reply to message #23165] |
Tue, 23 June 2015 06:25 |
stevem
Messages: 4775 Registered: June 2004 Location: NY
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thanks for posting the schematic, as this site's tech section still has issues!
Like Bill posted that amp is different than the normall preamp sections in the A series and latter Kustoms, how much added top end does the amps brite switch provide?
If this lack of top is the normal way this amp sounds, then I do see two locations in the preamp where a mid scope filter could be put in place, this consist of only two parts, a 220k resistor and a 250 pf cap in parallel.
[Updated on: Tue, 23 June 2015 06:26] Report message to a moderator
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Re: tone problem on K25C-2 [message #23180 is a reply to message #23179] |
Tue, 23 June 2015 07:43 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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When this K25C-2's bright switch is pulled out, there is almost no noticable treble increase. None to make any difference. And the bass pot adds almost no bass and turned down doesn't decrease any noticable bass.
This amp does have a ton of bassy thuddy low mids with tone pots set on any setting. It sounds like hitting a wrench on a hard wet board. I have a newly reconed 10" 8 ohm Eminence which I hooked up which didn't really change the tone much other than having a little more mettalic sound. So I believe the 12" Jenson in the amp is good.
[Updated on: Tue, 23 June 2015 07:54] Report message to a moderator
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Re: tone problem on K25C-2 [message #23478 is a reply to message #23476] |
Fri, 24 July 2015 12:36 |
vintagefan
Messages: 166 Registered: March 2014 Location: Dallas
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Thanks Stevem....I just don't know enough about tech stuff, so I have to trust. The tech has all the test equipment. He's been repairing amps since the early 70's and has worked on Kustoms, but has never seen this model. He did a good job replacing a couple transisters on my K100C-8 4x10. So far I have confidence in his work. I don't think he sees any Kustoms in his shop anymore other than mine. He's got probably 20 amps in line for repairs, thus the 4 week wait period getting to mine(so far)...,,,,I printed out the schematics for him which he's using.
I like to get 2nd opinions about tech stuff since I had a different tech screw up a Fender Vibrolux Reverb a couple years ago. He was probably not so good and after his repairs the amp wouldn't stay working. Finally had to get rid of it.
[Updated on: Fri, 24 July 2015 12:52] Report message to a moderator
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Re: tone problem on K25C-2 [message #23480 is a reply to message #23478] |
Fri, 24 July 2015 12:50 |
chicagobill
Messages: 2006 Registered: April 2003
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Steve M's post about wattage and heat in regards to load impedance are kinda broad stroke generalizations. While basically true, it's not quite as simple as that.
Using an 8 ohm speaker should be fine. The only real way to know is to test the amp and check to see if there are any problems.
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Re: tone problem on K25C-2 [message #23651 is a reply to message #23165] |
Tue, 18 August 2015 06:42 |
stevem
Messages: 4775 Registered: June 2004 Location: NY
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My k100 4-10 combo has more top then my piggie back 100 with 2-12" Jensens !
To me the 4-10s with there aluminum V coil covers do not round off untill the amp is played pretty darn loud.
If you pull the Eminence out, cut off the V cover and glue on a felt or aluminum V coil cover from Weber speakers the High end should rise up right to where you want it.
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